The Paper Bag Princess

By Robert Munsch

Girls, don’t ever let a boy use you! That always feels like the message behind this great Munsch tale.

We start out in a beautiful castle with a beautiful princess who’s head-over-heels in love with her aloof (but handsome) fiancee. Then a dragon comes along, burning everything up and kidnapping Prince Ronald. Well, Elizabeth isn’t about to stand for this, and sets out to defeat the dragon. Not with swords and armour, of course – the only thing not burned up by the dragon was a paper bag. But Elizabeth has her wits and determination, and she wants her husband-to-be back!

I’ve always enjoyed this story. It’s like the children’s version of an adult show: the titular character is about to get married to her emotionally distant boyfriend, a massive crises ensues and she comes into her own. After defeating the world-ending evil, she realizes what a dirtbag her intended is and breaks free to become her own women! (Cue: dramatic guitar riffs)

This is a great story for kids, even if they don’t realize all the great messages going on in it. Just the image of a princess with a burnt crown and a paper bag is going to be enough to hook their attention. There’s also the repetitive factor that Munsch delivers very well, hooking kids in.

The illustrations are funny and detailed, done by frequent Munsch collaborator Michael Martchenko. (Can you imagine being in a conference with these two and only addressing them by their last names?) The Paper Bag Princess is a solid book, one of his earliest ones (number 3), and while he’s done better, this still reigns as one of the best.

Suggested Ages: 3-6

Breaking the Spell: Tales of Enchantment

Selected by Sally Grindley

Breaking the Spell: Tales of Enchantment is an anthology of tales, each written by a different author. From what I can tell, only one of these tales is a retelling, but each has a traditional folktale flavour.

The stories included are:

  • The Paper Garden – Tony Ramsay
A King Midas-esque tale, where an Emperor, annoyed at the elements ruining his enjoyment of his garden, orders his workers to enclose the garden, piece by piece. Eventually, his actions have devastating consequences for the garden he prides so much.
  • Dancing in the Air – Joan Aiken
A Spanish tale of a poor young boy named Carlos who is banned from a church where beautiful music is played. The Bishop declares that he will be allowed to return until people dance one foot above the ground. After an encounter with a gypsy, Carlos is given a kettle that seems to play a magic tune just for him.
  • The Prince with the Three Fates – retold by Ann Turnbull
From Egypt, now, a Prince is born, destined to be killed by a snake, a crocodile, or a dog. Desperate to save their son, his parents lock him away, but he is determined to live his life, and goes out into the world to defeat his fates.
  • The Queen of the Bees – Vivian French
What do you do when you have three daughters? You send them on a quest to find men, of course! Two bratty sisters and their lovable, naive, pure younger sister set out to find their destinies. Only the youngest, helpful to a fault, has a bit of help from the animal kingdom.
  • The Witch’s Ride – Jane Yolen
When dealing with witches, not everything is as it seems. When Ewan falls for beautiful Emily early, he’s really marrying a witch. When she uses him for her witchy deeds, it’s up to his mother to save him from his bride.
  • The Snake Princess – Jamila Gavin
Set in India, a King falls in love with the Snake Princess. Soon after their marriage, he finds himself changing; becoming scaly and cold-blooded. With the help of a venerable yogi, he discovers the source of his change, but must make a decision between his life and his love.
  • Chantelle, the Princess Who Could Not Sing – Joyce Dunbar
After being cursed by a jealous aunt, Chantelle’s beautiful voice flies away. After her betrothal to a prince leaves her humiliated, she tries her best to learn to sing again. When she runs away and once again discovers her voice, she realizes it comes with a price to pay… can the prince save her?

These are all unique as well as familiar, as a folktale should be. Familiar tropes told over again. While I love the stories (and I really do), what impresses me the most is the artwork. All done by Susan Field, she manages to make them all look the same while incorporating flavours from the different countries. The Japanese, Spanish, Indian and Egyptian stories can be placed just by looking at the artwork, which I love.

This is a good book for those who are looking for bedtime stories for their children. It offers up a nice variety, and will appeal to a family with different appetites in their stories. Alternatively, it makes a great book for someone working on their own reading skills, trying to make their way into slightly longer books. I’ve personally found that short stories are great for this, as they can read as much as the whole book or as little as one story at a time. This lets them set their own pace without overwhelming them.

Suggested Ages: 7-12

Tatterhood

By Lauren A. Mills

I love folktales. Love. I’m tempted to say it’s the biggest section on my site. This is for a good reason: they’re archetypal, they can bridge cultures, and they’re reflective of our own culture, or even ourselves. I think we’re drawn to find fairytales that reflect ourselves, and this might explain why I love Tatterhood. The explanation being that I love ugly ducking stories (I still hope that I’ll turn into one), and I adore strong, feisty heroines who stand up for themselves and their loved ones.

Tatterhood has become a born-again favorite. I initially stumbled on it decades ago, and rediscovered it when I was looking up children’s books for my Children’s Services and Resources class (better known as the reason for this blog’s existence). I love it. I love the artwork, which are beautifully done by the author, I love the relationship between the main characters, I love the lesson, and I love the ending.

Perhaps I am getting ahead of myself, so let’s take a step back. Tatterhood is based on a Norwegian tale. The King and Queen long to have children, but the Queen has been unable to conceive. Taking the advice of an old woman, the Queen gives birth to two girls: the eldest, Tatterhood, and Isabella. Tatterhood carries a wooden spoon, rides a goat, dresses in rags and is generally repugnant. Isabella, by contrast, is beautiful, gentle, graceful and obedient. It is therefore double the tragedy when Isabella’s head is switched with that of a goat as retribution for the Queen’s mistake.

Rather then abandon her sister, Tatterhood demands a ship and sails off to discover a cure for her sister’s malady. They have a grand adventure and Tatterhood is successful in restoring her sister’s head. Ultimately, they land on a foreign land, and she demands to meet the King. He finally comes, sees Isabella and asks her to marry him on the spot. As part of the agreement, his brother has to marry Tatterhood.

I won’t give away the very ending, because it is to me one of the best parts of the story. Go find this book, then come back and read my review; don’t worry, I’ll wait.

The artwork of this story is phenomenal, and I think Mills deserves a lot of credit for her work. The fey design of the characters, the amber saturation, and the attention to detail are incredible. The details are what make it work. The hobgoblin villains, the wildness of Tatterhood, the gentleness of Isabella – it all comes through in the artwork with a life of it’s own.

As it is a retelling, there are of course differences from the original as Mills puts her own spin on the story. The basic elements are all still there, however, for which I am grateful. At the heart it’s still a story of light and dark, but here dark is not bad. It’s different, and ultimately even more lovely. Tatterhood is a lovable character, maligned by her mother despite being the oldest but still loved by her twin. She’s misunderstood, and doesn’t really care what you think. This attitude is amazingly refreshing; Tatterhood is a great role model for those who are different.

This story is sadly obscure, and I’m eternally grateful that my library system owns a copy. If you’re looking for a story with oddities, hobgoblins, strong heroines, donkeys, spoons, and high adventure on the seas, this book has it all, tied up with a pair of fairy tale endings. I highly recommend you check it out.

Suggested Ages: 6-9

East of the Sun & West of the Moon (Part 4)

By Edith Pattou

Part 1 | Part 2 | Part 3

The book is written from five alternating points of view: Rose, Father (Rose’s father), Neddy (Rose’s brother), the White Bear, and the Troll Queen. Each chapter gives a different point of view, and each takes the tale a little farther forward. At first I found this gimmick off-putting, but as the book progressed I found it helped the pace, keeping me engaged and racing for the end.

East gives us plausible characters, realistic scenarios and reactions, as well as a real and solid world setting. Even differing religions and folktales are given a place in East, which makes the religious studies student in me pleased. It is what I wished Ice had been. Some may find the shifting points of view and size off-putting, since East comes in at roughly 400 pages. The chapters are short, however, and can be picked off slowly. A good book for those that love fleshed-out folktales.

Suggested Ages: 9-12+

Pattou, E. (2005). East. Houghton Mifflin Harcourt

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East of the Sun & West of the Moon (Part 3)

By Sarah Beth Durst

Welcome to part 3! Parts 1 and 2 are here and here, respectively.

The main protagonist is Cassie, who has been basically raised in the research station, where her father tags and researches polar bears. On her birthday, Cassie is paid a visit by a polar bear, and told that she was promised to him as a bride. Spirited away, she tries to make a new life as the bride of a bear.

This book contains a lot of new elements, as one must to flesh a children’s book to a full-sized novel. Bear is not a cursed prince but a magical being in his own right. The trolls have been changed; they are now a race of gelatinous, ever-changing, ethereal beings who want to live but do not know how.

The book started off strong, but ended with a whimper, leaving me disappointed. Read for the good ideas, but be warned it will likely leave you scratching your head.

Suggested Ages: 9-12

Durst, S. B. (2009). Ice. Margaret K. McElderry Books

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East of the Sun & West of the Moon (Part 2)

By Mercer Mayer

Welcome to part 2! For part 1, please go here.

This is the version of East of the Sun & West of the Moon that I have the most trouble with. Several of the key themes are missing, most notably the polar bear. Instead this one plays like a mash-up of The Princess and the Frog and East of the Sun West of the Moon.

After the beginning of the story has ended, however, we veer back into more recognizable territory. She sets out, getting help from various supernatural beings who guide her closer to the kingdom she seeks, and each offer her a gift that will help her save her love.

The biggest positive I can give this version is its artwork, which is gorgeous, and comparable to Gal’s. It reflects the setting well, even if the setting isn’t how I would like it. The details are perfect, with heavy lines and excellent colours.

Suggested Ages: 3-7

Mayer, M. (1980). East of the Sun & West of the Moon. Four Winds Press.

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Nadia’s Hands

K. English

Nadia’s Hands tells the story of a Pakistani-American girl and her Auntie Laila’s wedding. Auntie Laila is having a traditional Pakistani wedding, and Nadia will be the flower girl. Already worried that she won’t be good enough as a flower girl, another Auntie puts mehndi (henna) on her hands the day of the wedding. For a long time she has to sit very still, and has a lot of time for self-reflection and worry as various family members come by and remark on her hands. But Nadia doesn’t like her hands – with the mehndi, she doesn’t think they look like her hands at all.

This is a small coming-of-age story, as well as a story of acceptance of heritage. Nadia’s story is a story targeted as an old childrens audience, around 8-10, where they will still appreciate and enjoy the story, but also grasp the meaning and not be put off by the large amounts of text. The artwork is not as fine as some of the others, such as Stellaluna, but it has its own unique style and helps they story move from beginning to end.

Suggested Ages: 5-9

English, K. (1999). Nadia’s Hands. Boyds Mills Press.

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