Revenge of the small Small

By Jean Little

Bullying is a hot topic right now, and when I found this book buried in my sister’s closet (I love snooping in there), I thought the timing was very fortuitous. After all, it’s the chance to discuss something relevant! Something fresh! Something published in 1992!

Okay, so maybe it’s a little old. But some topics never go out of style!

Revenge of the small Small focuses Patsy small, youngest of four children. She is, like all youngest sisters, perfect in every way. When her three older siblings get the chicken pox, she makes out like Florence Nightingale, catering to their every whim and need. But, when the tables are turned, they laugh at her requests and leave her all alone.

Dad to the rescue! He brings Patsy home a truly ginormous (that’s a word, right?) box of craft supplies. Seriously, this box is something those whackadoodles from Craft Wars would kill for. While the other three hover around, anxious to share, Patsy shuts them down and keeps all the supplies to herself. As any kid would do.

And so Patsy starts on her project (honestly, I think she has the longest bout of chicken pox in the history of books). She starts building a town, full of streets, houses, schools, and… a cemetery? Yes, really. A cemetery. With her three siblings buried inside, all with “awful” epithets.

No, really. “A bad brother”. “A mean sister”. “A lowly boy”. I wish I had a scanner to show you the Home Alone face the second brother is making at his tombstone. All three are shocked, SHOCKED  that their perfect, angelic, meek little sister could write such atrocities about them. So, as you do, they immediately change overnight into the most perfect, wonderful, supporting, loving, caring, attentive siblings on the planet.

I know this book is meant for kids. I do. And bullying is hard to write about. But this was the best the author could come up with? Two brothers and a sister who act, well, like older brothers and sisters. Heck, they were nicer to Patsy with all their teasing than I ever was to my sister, and she turned out okay!

(Hey, wait… this book was in her closet, wasn’t it? Hey! What’s this little effigy?)

Revenge of the small Small is pretty weak in story. The siblings, while made out to be the utmost villains in Patsy’s mind, are actually pretty lifelike. They’re mean, but trying to be helpful in their own ways. Even Patsy’s reaction of brushing them aside for her revenge is accurate to what any child would do. But the teasing she goes through is pretty weak (she reacts to being called an infant the same way she would if someone told her ol’ Yeller was shot at the end of the book). She receives obvious favoritism from her father, and never once do their parents step in to stop the teasing.

Despite the failings, this was one of my favorite books (for different reasons than my sister, who was obviously using it as inspiration). The artwork is amazing – my hat off to you, Janet Wilson. The characters are well drawn, the items are well drawn, and the town Patsy makes looks like something a child would actually draw. It makes me so sad that such amazing artwork is attached to such a weak story. It wouldn’t even be so bad if there was a better means of changing the other’s minds, but really. If this was real life (and most of the book is faaaairly realistic), the siblings would just destroy the headstones, or retaliate with more snarky comments. They’re kids!

If you have a younger daughter being the victim of sibling bullying, you could pick up this book to entertain her with. But I’m pretty sure there are better ones out there. Find those ones, or pick this up for the art.

Suggested ages: 3-6

Tatterhood

By Lauren A. Mills

I love folktales. Love. I’m tempted to say it’s the biggest section on my site. This is for a good reason: they’re archetypal, they can bridge cultures, and they’re reflective of our own culture, or even ourselves. I think we’re drawn to find fairytales that reflect ourselves, and this might explain why I love Tatterhood. The explanation being that I love ugly ducking stories (I still hope that I’ll turn into one), and I adore strong, feisty heroines who stand up for themselves and their loved ones.

Tatterhood has become a born-again favorite. I initially stumbled on it decades ago, and rediscovered it when I was looking up children’s books for my Children’s Services and Resources class (better known as the reason for this blog’s existence). I love it. I love the artwork, which are beautifully done by the author, I love the relationship between the main characters, I love the lesson, and I love the ending.

Perhaps I am getting ahead of myself, so let’s take a step back. Tatterhood is based on a Norwegian tale. The King and Queen long to have children, but the Queen has been unable to conceive. Taking the advice of an old woman, the Queen gives birth to two girls: the eldest, Tatterhood, and Isabella. Tatterhood carries a wooden spoon, rides a goat, dresses in rags and is generally repugnant. Isabella, by contrast, is beautiful, gentle, graceful and obedient. It is therefore double the tragedy when Isabella’s head is switched with that of a goat as retribution for the Queen’s mistake.

Rather then abandon her sister, Tatterhood demands a ship and sails off to discover a cure for her sister’s malady. They have a grand adventure and Tatterhood is successful in restoring her sister’s head. Ultimately, they land on a foreign land, and she demands to meet the King. He finally comes, sees Isabella and asks her to marry him on the spot. As part of the agreement, his brother has to marry Tatterhood.

I won’t give away the very ending, because it is to me one of the best parts of the story. Go find this book, then come back and read my review; don’t worry, I’ll wait.

The artwork of this story is phenomenal, and I think Mills deserves a lot of credit for her work. The fey design of the characters, the amber saturation, and the attention to detail are incredible. The details are what make it work. The hobgoblin villains, the wildness of Tatterhood, the gentleness of Isabella – it all comes through in the artwork with a life of it’s own.

As it is a retelling, there are of course differences from the original as Mills puts her own spin on the story. The basic elements are all still there, however, for which I am grateful. At the heart it’s still a story of light and dark, but here dark is not bad. It’s different, and ultimately even more lovely. Tatterhood is a lovable character, maligned by her mother despite being the oldest but still loved by her twin. She’s misunderstood, and doesn’t really care what you think. This attitude is amazingly refreshing; Tatterhood is a great role model for those who are different.

This story is sadly obscure, and I’m eternally grateful that my library system owns a copy. If you’re looking for a story with oddities, hobgoblins, strong heroines, donkeys, spoons, and high adventure on the seas, this book has it all, tied up with a pair of fairy tale endings. I highly recommend you check it out.

Suggested Ages: 6-9

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