This Day, We are Masters
26 May 2012 Leave a Comment
in Uncategorized Tags: Graduation, Personal
This is less about children’s media, and more about celebrating personal accomplishments! May 24th was Graduation Day for myself and my classmates as we received those wonderful, beautiful, and expensive pieces of paper that allow us to practice our chosen trade. Congratulations to all my beautiful friends, and thanks to all those who helped support us through the last 2 years!
Big Sarah’s Little Boots
11 May 2012 Leave a Comment
in Canadian Lit, Picture Books Tags: Educational, family, Growing Pains, Picture Book, Rainboots
By Paulette Bourgeois & Brenda Clark
When we’re small, small issues take on big importance. So when a favorite toy breaks, or you rip a dress, or outgrow a favorite article of clothing – that becomes a big deal.
Unless you’re a destructive little beast like me and purposefully destroy the lovely clothes your parents gave you. But even then, you’ll probably enjoy this story.
Big Sarah’s Little Boots was one of my childhood favorites. The titular character, Big Sarah, loves her rainboots. They’re bright, shiny yellow, and when she jumps in the puddles they go SQUISH and the water goes KERSPLAT! But then, one day Sarah tries to put them on, and her boots have shrunk! She tries everything – pulling on them, growing them in the garden, playing tug-of-war with them – in an attempt to make them bigger, but nothing works. Time for Big Sarah to get bigger boots!
Big Sarah’s Little Boots is a nice book helping explain to children that it’s okay to move on to something new; you might like it just as much (if not more) than what you had before. The majority of the story, however, is dedicated to Sarah trying, so very hard, to cling to her beloved old boots – just like any kid would do when presented with change. I know I can say that, at 15 5, I was not very good at adapting to change. If you need proof, just go visit an elementary school on the first day of class and see how many children are crying.
The story is great. The text is simple and easy, with onomatopoeia to make it more fun. There’s no rhyming pattern, but it flows easily, and there’s enough repetition to make it stick.
There is a lot of white space at the beginning of the book, but it fades around the middle point, when Sarah tries to make her boots stretch. It’s this middle part that meshes text and images the best, and are among the best in the book. It helps immensely that the pictures are amazing. I know I say this a lot, but it’s true; great pictures make a children’s story, and children get the best illustrators. I can’t tell you what medium is used, but the colours are bright, the artwork is amazing, and it’s so true to life some of them could almost be pictures. There’s one picture of Sarah pulling her socks off in an attempt to get the boots on, and it’s so incredible I just want to pin it to my wall. The details in these pictures will make them a lot of fun for children to look through; I remember the details of the skipping ropes tied to her boots, and the different styles of rainboots she tries on, from when I was a kid.
If you can find this book, I suggest you pick it up. It was published in 1987 in Toronto, so it’s probably not the most accessible, but I’m sure it’s out there. It’s cute, educational, beautifully written and illustrated. If your child has a favorite toy/piece of clothing/binky/blanky/etc., they’ll be able to relate to this book. Everyone has gone through the same growing pains as Sarah, and it will show them that they’re not alone.
~
And since we’re coming up to mother’s day, I will give incredible props to my mom that 99% of my books from my childhood have survived as long as they did in as good a condition as they did. Every child should have the opportunity to find all their old books in the basement and be able to raid them for a blog!
Love you mom <3
~
Recommended Ages: 3-6
Cinder
05 May 2012 Leave a Comment
in Fairy Tales, Fantasy/Science Fiction Tags: Adaption/Retelling, Android, Beijing, Cinder, Cinderella, Cyborg, Epic Fantasy, Fantasy, fiction, Growing Pains, Heroine, in Love, Lunar, Magic, Moon, New Beijing
By Marissa Meyer
Cyborg Cinderella. The words evoke feelings of intrigue and dismay: the originality of such a concept vs the worry of it being done badly. Twisting a fairytale, after all, is nothing new (though it is eternally fun); there are so many versions of Cinderella/Snow White/Red Riding Hood/etc. that I feel they should be a genre unto themselves. Some of the adaptions are unique, funny, and engaging; good reads. Others are horrendous; I think we can all agree that we’ve read some awful adaptions.
Cinder is the tale of Linh Cinder, master mechanic of New Beijing. Set in the future, long after World War IV, after humans have colonized the moon and mutated into a separate race, Cinder is a cyborg orphan making a living as a street mechanic for her stepmother. An outcast because of her cyborg status (among other things, she has a fake arm, leg, spine and heart), Cinder is volunteered as a test subject for a deadly plague that has been decimating New Beijing. This, unfortunately, interferes with a job from Prince Kaito, who needs her to urgently fix is android. Throw in a sick sister, a wicked stepmother, an evil Queen bent on world domination, politics and love, Cinder has her hand full.
I found Cinder to be a good read. Nice and easy, with a lot of pseudo-science that made it seem nice and real. The plot was somewhat predictable (as ya do), but at the same time I found it a really good play on the normal Cinderella mythos. Cinder the Cyborg turned into a really unique concept that came off much, much better then I had hoped for when looking at this book for the first time.
I’m usually leery about first-time novels, because I feel like authors lose a lot of their creative power against editors’ whose job it is to make money. I’ve been impressed by both Cinder and Legend for their unique stories, and I’m looking forward to seeing more from both. Cinder is just getting started, developing what promises to be a good trilogy. I don’t mind predictability in my beginnings so long as the ending doesn’t disappoint. I have faith that Meyer will take her Cyborg Cinderella (I love that alliteration) and run with it. Hopefully to the Moon and back.
(Read the book to get the joke)
Recommended Ages: Teen
Legend
15 Apr 2012 Leave a Comment
in Action/Adventure, Fantasy/Science Fiction Tags: Action, Criminal, Debut, Dystopian, family, friends, Growing Pains, Hero, Heroine, in Love, Legend, Love, Rebel, Republic, Romeo and Juliet, The Hunger Games, United States
I’m a member of the online art community deviantArt; I’m sure some of you have stumbled across that website in the past, and it showcases some incredible instances of art. One the artists I followed early on was an artist and aspiring author, mree. She’s a very talented artist, and spent a lot of time developing character designs for her written characters.
Well, congratulations mree (aka Marie Lu)! You need aspire no more!
Around Christmas 2011, Marie’s debut novel, Legend hit shelves. It’s very on-trend right now; a dystopian world reminiscant of The Hunger Games where all children must go through a Trial at the age of 10. The score you receive at the Trial will impact what happens to you later on – labour camps, drudgery job, or elite. Allow me to assure you that this is not The Hunger Games. I really enjoyed the setting, the characters, and how Lu creates a world that sucks you in.
Legend takes place in a future where the United States of America no longer exist. Instead we have the Colonies (as yet unseen), and the Republic. Our story takes place in the Republic, and splits between Day and June. Day is a criminal in the vein of Robin Hood, stealing from the rich, derailing the Republics plans, and helping provide for his family. June is a prodigy with a perfect Trial score, slated to be one of the most elite Republican soldiers. Their paths cross when June is tasked with tracking Day down, an endeavor that has so far proved futile for the army.
The biggest plus of Legend is the setting. It takes place in California, but it could be anywhere. And yet, there are ties to the physical place, and hints of the old USA. While a fairly short story (all things considered), the world feels comfortable, like you could visit it. There’s nothing shoved in there to make it fit, like some stories I’ve read. The plot reads well, and everything flows into each other. A lot of plot threads are left unanswered, but I will wait for the sequel(s), and assume that they will be answered there.
I admit, I wasn’t eager to pick up Legend. I did, however, recommend it to my chiropractor, who bought it as a Christmas present for his wife. After she read it, she started gushing about it, and lent it to me to read. I was completing my final semester of my Masters at the time, and didn’t have the time; I’m ashamed to admit I held onto that book for almost 3 months. When I finally did pick it up, my initial feeling was “meh”; I felt that it was generic. Then I really got into it and changed my mind. That’s what I would call the trick to this novel: don’t get stuck on thinking it’s a Hunger Games knockoff. It’s not, I promise.
Lu gives us a story of two star-crossed lovers, two 15-year-olds trying to find answers to what their leaders are doing and why. There’s romance, action, scheming, tragedy and the promise of more. Many of the plot threads are left hanging, with the promise of resolution in later books. I look forward to sequels, and seeing the future adventures of June and Day. I hope that Lu can continue with what makes her book unique, and avoids the cliches that dominate the market today.
Edit: Marie just released the news of her sequel in the Legend trilogy. The second book will be titled Prodigy, scheduled for release on Jan 23rd, 2013.
Book Covers
11 Apr 2012 Leave a Comment
in Uncategorized Tags: Book Covers, Dystopian, Paranormal Romance, The Hunger Games, Trends, Twilight
I’ve mentioned before about how, at the book store I worked at, you could see the immediate difference between 9-12 books, and the teen books. Not because they were in different sections, but because the covers would change from interesting and colour to black/white/grey colours. There might have been a splash of dark red from the Scorpio cover, or blue from Beka Cooper, but all the covers are dark. Marketing towards natural teen angst, I guess.
I wonder if publishers ever realize how much they are, potentially, pushing a market away? I know when I was in my teens, I skipped straight from 9-12 books to adult novels, because the teen books were too depressing, melodramatic, and boring. Or, at least that was my opinion at the time. There were exceptions.
Cover trends vary from year to year, and can be mapped. I know they have been; 2 years ago the “it” colour was blue. Before it was black. Can you think why? (Hint: Twilight, and Mockingjay) Now we’re back to the dominant bleak cover scheme, courtesy of the popularity of dystopian stories and paranormal (re: undead) romances.
I came across a great article from Stacked! talking about covers, and this is just one in a series; I recommend it. What she has to say is quite insightful, and I agree with a lot of it. Primarily a point made at the beginning though: all these covers look alike. How does this help us get to the story the author wrote? How does this help distinguish it? They might be pretty, but how well they sell is not something I can answer.
So head over to http://www.stackedbooks.org/2012/04/cover-trends-female-body.html for a more in-depth analysis of book covers. It will make you think, the next time you go to a book store or library and peruse the covers.
Mirror, Mirror
01 Apr 2012 Leave a Comment
in Fairy Tale, Video Tags: Adaption/Retelling, Fantasy, fiction, Folklore, Growing Pains, Heroine, Humour, in Love, Magic
It’s going to be quite the battle this year, with two Snow White movies due out in 2012. The winner of the race into theaters, of course, is Mirror, Mirror, starring Julia Roberts and Lily Collins. I admit, I’m torn about this movie: on one hand, I know it could have been so much better; on the other I loved it.
The story is fairly typical of a reimagined Snow White. Father dies/disappears, Queen takes control of the kingdom and it falls into neglect. Sweet, innocent Snow White is ordered killed when she becomes a threat, she escapes, falls into the clutches of the seven dwarves. Somewhere along there a prince appears, a mystical fight is waged, an apple is offered, and the Queen is vanquished forever.
I’ll start with my negatives. First, Lily Collins is a beautiful girl, but she’s not the most emotive actor. Mainly, she’s sitting there, posing prettily for the camera (which she does very well). In the action scenes she does tolerably well, and when she stops trying to be pretty I’m quite happy.
There are few plot conundrums as well. First and most obvious is Prince Alcott’s friend Renboch. He appears in the kingdom with the Prince, then disappears, not to be seen or heard from again until the final scene. When he does reappear, it doesn’t appear that he’s accomplished the one mission he’s been given, making his character completely pointless.
I had some problems with the set too. The palace, while opulent, appears set the most oblivious cliff, not to mention that it’s as far away from its town as one can get. When Snow White does venture into town, there are almost no villages. This is reflected at the Queen’s Wedding Party, her Gala, and even Snow White’s wedding. This is a kingdom with apparently no people! With Sean Bean (surprise!) as King, you’d think more people would live there!
On the plus side, apart from Lily Collins, everyone else is a great comedic actor. Armie Hammer does a great job as Prince Alcott, and I can believe the relationship between him and Snow. It takes some talent to switch from charming to slapstick comedy, and he pulls it off well. In the same vein, Julia Roberts switches from menacing to flighty to cartoon villain. It’s quite delightful to watch.
While the story is nothing special or overly unique in a Snow White tale, I did like that the characters weren’t stupid. There’s one bit at the very beginning where one of the servants leads Snow to the decision that she has to go visit the town, but that’s about as stupid as it gets, and one can chalk that up to bullying and naiveté. *Spoilers* At the very end of the movie, when the Queen appears with the all-important apple, Snow catches on and hands it back to her, forcing her to eat it. I could have cheered to see her using some common sense when a creepy old woman offers you an apple and tries to force you to eat it right now! *End spoilers*
Overall, this was an enjoyable film. While clearly aimed at younger kids, it has laughs for adults too. The kids, especially, will enjoy the silly special effects (I use the term loosely) and the frilly outfits. They won’t notice a slip in the acting, and will try to do Snow’s dance in the weird ending music video.
And, if nothing else, there’s Sean Bean. See it for Sean; you know you want to.
The Secret World of Arrietty
04 Mar 2012 Leave a Comment
in Video Tags: Adaption/Retelling, Arietty, Borrowers, Classic, family, Fantasy, fiction, friends, Heroine, Little People, Video
I am a huge Hayao Miyazaki fan. I watched his older movies (Kiki’s Delivery Service, Totoro, Castle in the Sky) long before the explosion of awesomeness that was Spirited Away ever hit North American shores. And while I love the newer movies, I admit they don’t hold the same magic touch that they used to. Howl’s Moving Castle is fun, but Ponyo just confused me. His latest offering, a remake of The Borrowers by Mary Norton, had me very excited. I loved the 1997 movie, so add that with my favorite movie maker, and I was right there in line!
I’ll admit up front: I was disappointed again. Not because it was a bad movie; it just confused me.
Having only read synopsis’s of The Borrowers online, The Secret World of Arrietty seems to follow the pattern pretty well. A young boy, Sean, is sent to his Aunt Jessica’s house to rest before a critical heart operation. Meanwhile, small Arrietty is preparing for her first borrowing. You can probably see where this is going, and Ariretty ends up being seen silouetted through a tissue. Having seen a little person, Sean is now intent on finding her and making friends.
Another person bent on finding the little people is Aunt Jessica’s housekeeper Hara. Hara is, to be kind, a few slippers short of a shoe closet. She is insane. Without much/any proof that Sean has seen a little person, she starts to follow and spy on him, trying to catch him talking to a little person. When she discovers a hole in the floor that leads to the Borrower’s house, she traps Homily (the mother) to prove to everyone she’s not crazy. But magically, all the proof she’s collected disappears and she’s left looking certifiable to the pest control operatives and Aunt Jessica.
I have two big criticisms about this movie: one is the relationships the characters have; the second is the pacing.
The character interactions sometimes border on the cartoonishly weird, only they’re not funny (sometimes). Sean is a very deliberate, slow-moving, calm sort of person, but it comes off creepishly stalker-esque when he meets Arrietty for the first time. Pod is strong and stoic and communicates primarily through grunts. Homily is a basket-case of worry, but that seems true to the book, and she’s actually my favorite character. Hara deserves her own special post, I can’t even describe how little sense she makes. And Spiller, who makes two appearances in the movie, is reduced to a caveman, albeit, a caveman who can fly with his magic flying-squirrel cape or…something.
I saw the movie when it was populated primarily with small children. I will give them credit, for a bunch of 6-year-olds and under, they were quiet and engrossed in the movie (except for one little boy in my row who decided that beating up the chair in front of him was more important, but hey! he never talked). This astounded me, because the movie takes a lot of time to show us the boring, mundane tasks of the two houses. That’s not a bad thing, and the movie is set up well. The problem comes when you realize they’ve spent an hour and a half to set up the movie before trying to cram action and resolution into 30 minutes. Homily’s capture and rescue by Sean and Arrietty is really the only tension in the movie, and daddy Pod is missing from the entire act! Deciding the home isn’t safe anymore, the Borrower’s move out, and into another house. This, after the movie spends a good deal of time talking about how there’s a dollhouse built specifically for the borrowers. They never use it. Why?!
Despite how much vitriol I’m spouting, I did not dislike this movie. It has the traditional Miyazaki touch, with beautiful artwork and animation. There’s nothing scary about it (unless you count Hara’s over-the-top villain antics) which makes it good for the kids. They might get bored, though, especially on repeat showings when they realize nothing’s happening.
Go check out this movie. Or even any of the other Miyazaki movies from the beginning if you’ve never seen one before. There’s something in them for everyone, old and young.
Harry and the Terrible Whatzit
01 Mar 2012 Leave a Comment
in Picture Books Tags: Fear, Growing Pains, Hero, Monsters, parent-child, Picture Book
By Dick Gackenbach
Who’s never been afraid of anything? If you just raised your hand, I declare you a liar. Or the bravest person on Earth.
Because everyone (yes, everyone) is afraid of something, there are a lot of books out there dealing with children’s fears. Because little minds are so active, they can find terror in everything. That’s not a bad thing, but it can make the basement pretty frightening.
Enter Harry and the Terrible Whatzit. Pair this with Monsters, Inc. and your little one will never be afraid again! Or they’ll shift their fear onto something else – but they won’t be afraid of monsters under the bed!
Tatterhood
20 Feb 2012 Leave a Comment
in Fairy Tales, Folklore Tags: Donkey, European, family, Fantasy, Folklore, Heroine, Humour, Magic, parent-child, Picture Book, Pregnancy, Quest, Sailing, Siblings, Sisters, Supernatural, Tatterhood, Twins, Wedding, Wooden Spoon
By Lauren A. Mills
I love folktales. Love. I’m tempted to say it’s the biggest section on my site. This is for a good reason: they’re archetypal, they can bridge cultures, and they’re reflective of our own culture, or even ourselves. I think we’re drawn to find fairytales that reflect ourselves, and this might explain why I love Tatterhood. The explanation being that I love ugly ducking stories (I still hope that I’ll turn into one), and I adore strong, feisty heroines who stand up for themselves and their loved ones.
Tatterhood has become a born-again favorite. I initially stumbled on it decades ago, and rediscovered it when I was looking up children’s books for my Children’s Services and Resources class (better known as the reason for this blog’s existence). I love it. I love the artwork, which are beautifully done by the author, I love the relationship between the main characters, I love the lesson, and I love the ending.
Perhaps I am getting ahead of myself, so let’s take a step back. Tatterhood is based on a Norwegian tale. The King and Queen long to have children, but the Queen has been unable to conceive. Taking the advice of an old woman, the Queen gives birth to two girls: the eldest, Tatterhood, and Isabella. Tatterhood carries a wooden spoon, rides a goat, dresses in rags and is generally repugnant. Isabella, by contrast, is beautiful, gentle, graceful and obedient. It is therefore double the tragedy when Isabella’s head is switched with that of a goat as retribution for the Queen’s mistake.
Rather then abandon her sister, Tatterhood demands a ship and sails off to discover a cure for her sister’s malady. They have a grand adventure and Tatterhood is successful in restoring her sister’s head. Ultimately, they land on a foreign land, and she demands to meet the King. He finally comes, sees Isabella and asks her to marry him on the spot. As part of the agreement, his brother has to marry Tatterhood.
I won’t give away the very ending, because it is to me one of the best parts of the story. Go find this book, then come back and read my review; don’t worry, I’ll wait.
The artwork of this story is phenomenal, and I think Mills deserves a lot of credit for her work. The fey design of the characters, the amber saturation, and the attention to detail are incredible. The details are what make it work. The hobgoblin villains, the wildness of Tatterhood, the gentleness of Isabella – it all comes through in the artwork with a life of it’s own.
As it is a retelling, there are of course differences from the original as Mills puts her own spin on the story. The basic elements are all still there, however, for which I am grateful. At the heart it’s still a story of light and dark, but here dark is not bad. It’s different, and ultimately even more lovely. Tatterhood is a lovable character, maligned by her mother despite being the oldest but still loved by her twin. She’s misunderstood, and doesn’t really care what you think. This attitude is amazingly refreshing; Tatterhood is a great role model for those who are different.
This story is sadly obscure, and I’m eternally grateful that my library system owns a copy. If you’re looking for a story with oddities, hobgoblins, strong heroines, donkeys, spoons, and high adventure on the seas, this book has it all, tied up with a pair of fairy tale endings. I highly recommend you check it out.
Suggested Ages: 6-9



